John Barry (1933 - 2011)

Woke up this morning and eventually checked my Twitter account when something caught my attention. I saw that John Barry was a trending topic. And immediately my heart sank because I knew that could mean only one thing.

John Barry had such a unique style. Ever since he 'enchanted' audiences with his famous James Bond Theme (which, unfortunately, due to contractual mishaps was and still is to this day credited to Monty Norman, when Barry is indeed the one who composed it) he threw one great score out there after another. Admittedly, in my opinion, it took him until From Russia With Love to really utilize his style, at least for the James Bond films. But even Dr. No has some classic and memorable moments in it. And film after film he demonstrated that, while he had a central style to work from, he could bring something new, unique, and utterly enchanting to his scores.

It's really depressing to see yet another truly remarkable film composer go. And it's always weird when someone passes away just after you had some kind of interaction with them only a few days before. Of course I wish I had met him in person, but I'm referring to the fact that I've, over the last couple weeks, been watching the Bond films and, specifically, listening to one of my favorite of his scores, The Living Daylights. So it, for some reason, just makes it feel more surreal that he's gone.

Not only did he have the ability to get you to the edge of your seat with this adventurous, chase, or combat-centered pieces, he also had an annoying habit of making you want to commit suicide because of the deep depression that his more emotional scores provoked (specifically his little known TV film score, The Gathering). And while he was, at times, influenced by the times as far as music styles go, he knew how to use these styles, and how to use them to his advantage without his scores coming off sounding like every other score during each era (case-in-point would, again, be his score for The Living Daylights in which he masterfully utilizes an 80's synth-pop drumbeat through much of the score that is very effective).

Of course, the James Bond scores weren't all he was good and known for. "The Girl with the Sun in Her Hair" (composed for a commercial if I remember correctly) is an amazing piece, and his other piece "What A Question" is a personal favorite and one I actually have used for one of my YouTube series for the last couple years. And one of my other favorites was his theme for The Persuaders. There are really too many great scores and pieces to list.

I highly recommend getting a hold of the John Barry Themependium. It's a masterpiece collection of all his greatest one-shot, tv, and film score compositions. You can purchase it from Amazon here:

http://www.amazon.com/John-Barry-Themependium-Monty-Norman/dp/B000NDJGC2/ref=sr_1_1?ie=UTF8&s=music&qid=1296530007&sr=1-1

So, in closing, thank you, John Barry, for your wonderfully unique scores that I've practically grown up with. You were, and still are, a master film composer.

My prayers go out to his family and friends (and close fans) in this hard time. May God use this time to bring them closer to Him.

Drawing the TARDIS

I can't remember the last time I just sat down and drew something seriously. This morning I was feeling creative, and then it occurred to me: every true Doctor Who fan, at some point, has to draw the TARDIS. So this was the result:

It took roughly two hours to draw. I was feeling too lazy to actually color it, but I usually prefer plain pencil-drawings anyway. I used the cover of Steve Tribe's The TARDIS Handbook as a guide, and, because I couldn't find a ruler, I pulled off the top half of a CD case (a trick I learned when I was a kid) and used that.

Initially I drew it being struck by lightning, surrounded by one of those generic comic blast/punch 'balloons'. But I found that it was distracting too much attention away from the TARDIS itself, because it looked a little too jumbled. So I erased the blast-balloon, added more lightning (just for cool-ness' sake), and then colored in the surrounding areas, just to emphasize the TARDIS.

The words on the sign are all the same as the real thing, just written very very small. I thought that would bring it to life a bit more than just doing lazy squiggle lines. The "St. John Ambulance" symbol is the only thing I sort of cheated on. I was able to write "St. John" and then I got about as far as "Ambul-" before I started to run out of room, so I just sort of trailed it off with little squiggles. The symbol at the center of the St. John Ambulance logo is as close as I could get it, but it was a bit too difficult to draw it that small, so that one I also somewhat cheated on.

I'm not very happy with the "POLICE public call BOX" logo, as I've never been good at writing thick letters without them coming across as childish looking. But it serves it's purpose. The "Public Call" part I also had to cheat on because I couldn't make thick-white letters that small.

One of the things I wanted to do, but just wasn't feeling up to the task, was to actually draw in the detail of the wood. Perhaps I will revisit this drawing someday.

Anyway, below are some crude pictures I took with my cell phone of some of the work in progress:

At this point I got to into finishing it so I didn't take anymore. So, there you go. Happy Thursday!

Rain Traffic Sound Oddity

Okay, this is surely a very weird thing to blog about, but I was curious if anyone else had noticed this.

Has anyone else ever noticed that when it's rainy outside—and it doesn't even necessarily have to be pouring... it can just even be drizzling or even just muggy—distant traffic noises outside sound louder than usual? Like motors and engines sound louder. There's a freeway about half a mile away from our house, and whenever it's rainy, drizzle-y, or muggy outside, I don't know... it always just seems louder. And it's not like it's the tires on the wet roads that I'm hearing.... unless I am.... but it doesn't sound like tires. It sounds like the motors/engines.

Maybe it's because rain water is splashing up into the engines and making them work overtime? Maybe it's a trick of the ear? Like how the moon looks bigger on the horizon, except it's actually the same size as it is when it's up in the sky? You know how that moon trick can trick your ear? It do. So just watch out.

Recipes: Taco Bell Tacos

If you didn't know already: I love to cook. I'm always up for trying new things (well... admittedly I do have some limitations); especially if it's a mock-up recipe of a popular restaurant or store-bought meal. And every once and a while I will find a mock-up recipe that is just to die for. And this one that I'm about to share with you is one such mock-up recipe.

Now I can't take credit for this as I found it on another website (which I give all credit to), but I just had to share it because it is tremendous and pretty dang close to the real thing. This, as the title suggests, is a recipe for Taco Bell tacos.

The recipe comes from: http://www.everwonder.com/david/tacobell/recipe.html

Ingredients

• 1 pound of Ground Beef
• 1/4 cup of All-Purpose Flour
• 1 tablespoon of Chili Powder
• 1 teaspoon of Salt (I think it could use a little less, but it's up to you)
• 1/2 teaspoon of Minced Onion
• 1/2 teaspoon of Paprika
• 1/4 teaspoon of Onion Powder
• Dash of Garlic Powder (I used Granulated Garlic)
• 1/2 cup of Water

Instructions

Do not brown the meat! Instead, put the raw red meat in a medium or large bowl and then add everything except the water in with it. Then, use your hands to squash and mix it all together. The meat will take on an orange-y color. Now, put a skillet on the burner, medium-high heat, and add the water to it, then plop the meat right in there. Break it up, stir it around, adjust the heat higher or lower if needed. The result should be soft, sort of creamy-ish consistency with no large chunks and not too water-y. Meaning: it should be about the same consistency as a Taco Bell taco.

According to the creator of this recipe, this should serve about 12 tacos-worth.

And that's it. Like I said above, I think I will use a little less salt next time. But regardless, definitely the best home-made taco recipe I have ever tried to this date.

So, there you go. Oh, and if you look at the link provided above and scroll down there is a secondary recipe that utilizes some different ingredients. I haven't tried that one yet, though. Basically, by the way, I found this recipe by just Googling "Taco Bell taco recipe", and it was the very first website that popped up. So many thanks to the folks over at everwonder.com for a fantastic mock-up recipe.

Eventually I am going to be trying some recipes I found for Chinese Pizza (also called Chinese Scallions). So, if it's a winner, I will definitely post it on here. Also I will eventually be sharing the Historical Harrison spaghetti sauce recipe.

Hope you enjoy your tacos!

Merlin - S01E01: "The Dragon's Call"

(Note: In this review I basically give a scene-by-scene breakdown, which means it includes spoilers. However, this is probably the only review in which I will do that, because it really took too much time to do)

BBC has an obsession with the main characters
of their shows holding their hands out

So, ever since I became a Doctor Who junkie I've been running an experiment. Every couple of months I will try a new show from BBC for the first couple of episodes, whether I'm captivated by the first episode or not, I have to watch at least a couple episodes. Technically the first one I tried was "Doctor Who". Then earlier this Summer I decided to try out the show Primeval. After watching the first couple episodes I found it interesting... but not necessarily interesting enough at this time to really have me become a full-time watcher. I'm sure I will probably try it again sometime in the future, but right now it's not really something I'm interested. Well a few months went by and I felt it was time to continue the "experiment"; this time with the on-going Merlin series that premiered in 2008 (not to be confused with Hallmark's superb Merlin miniseries with Sam Neill).

About two years ago I was just surfing the TV when I came across an episode of Merlin airing. I don't remember very much about it other than that I wasn't really too impressed by it. So I wasn't expecting much more when I decided just last week to give the show another go, this time starting at the very beginning.



"No young man, no matter how great, can know his destiny." ...
So does that mean that old men can know their destiny?



And as soon as the episode opened up, and strings fade in softly with a harp and clarinet, and Merlin comes walking over a hill and then narration begins.... and who should that narration be done by other than Mr. John "Awesome" Hurt.... I knew this suddenly had a lot more potential than I thought it did. I think this may be the first time during the opening of a show that I just stopped and was practically glued to the screen. I don't know. There was just something about it. Maybe I'm just a sucker for John Hurt. But then, if I didn't know it already, as the camera pans over a beautiful shot of a dimly lit Camelot at sunrise and the music builds up to suddenly "exploding" into a sweeping theme of strings and brass through the opening credits... I knew that I was going to love this show.



It may possibly have one of the coolest openings ever.

Now, lest because of my hyper enthusiasm you get the idea that the show is positively flawless, let me just state that it certainly is not flawless. The show unfortunately suffers from many cliches and some... "humor" (in quotemarks because... it's not really funny). When they pull off the humor, it works pretty well, but when they fail (usually when they try to go too "cutesy"-humor), they fail pretty badly. As for the cliches, yes unfortunately many things happen that you can pretty much call beforehand. But, even so, at least as far as the first two episodes are concerned, I truly thoroughly am enjoying the show.

The show begins with us following Merlin, who has been sent by his mother, to live in Camelot where he can perhaps unlock the secrets of his mysterious power. However, upon entering the kingdom, Merlin comes upon an execution scene ordered and overseen by King Uther Pendragon. It is the execution of a sorcerer named Thomas Collins. Merlin learns that King Uther absolutely despises magic use and has set a kingdom-wide ban against it. And, as seen with Collins, any one found to be using magic would be put to death.



"Magician peoples must be KILLED TO DEATH!!!"

Thomas Collins is beheaded... and then King Uther throws a feast to celebrate the death of another sorcerer. But before everyone leaves the courtyard, the old lady from The Princess Bride shows up crying because Collins was her son. She then curses the king, saying "An eye for an eye, a tooth for a tooth, and a son for a son," pretty much, in broad daylight in front of everyone in the entire world, issuing a threat against King Uther and his son (Arthur... just in case you were dumb and didn't remember that). So, of course, the king issues a warrant for her arrest, but as the guards approach her, she begins speaking an incantation and, after a few moments, begins to dematerialize. Oh, interesting to note, the woman that is playing this old hag (Mary Collins. I mean.... that's the character's name, not the actor's) is played by Eve Myles who I remembered being the maid Gwynyth who sacrifices herself in the Doctor Who Series 1 episode "The Unquiet Dead", and also apparently, as I've learned just today after watching "The Stolen Earth", plays a character in Torchwood.



"Booo! Boooo! Rubbish! Filth! Slime! Muck! Boooo!"
P.S.... She looks HOOOOT!

So... After that horrible scene of execution, and an upset, threat-spewing mother who disappears into thin-air... THEN they have a celebratory feast. Yeah. So, then we find that Merlin's mother has sent him here to Gaius, the court-physician (and secret apparent dabbler in sorcery), played by Richard Wilson who was also in a Doctor Who Series 1 episode, "The Empty Child", in which he plays Dr. Constantine. Oh, and actually Merlin himself, who is played by Colin Morgan is also in Doctor Who (Series 4, Episode "Midnight"). Okay, I will stop talking about Doctor Who.... for now. So, Merlin arrives at Gaius' home, and as he enters he startles the old man who is up on a ladder. Gaius falls, most assuredly about to injure something, when we zoom up to Merlin's eyes as his irises flash gold. Gaius stops in mid-air suddenly and Merlin quickly calls over a nearby bed that slides into place just under the falling physician. The physician then continues to fall and plops safely on his bed. Almost immediately he jumps out of the bed saying "What did you do!?". Merlin denies that he has magic, though Gaius, quick obviously, does not believe him, but he tells Merlin that he will not squeal on him. Merlin hands him a note that his mother wrote and it informs Gaius that she sent the boy to the court-physician for protection. So, he takes Merlin under his wing.

AWEsome! I just love anything that has to do with special effects and eyes.

We are soon introduced to Morgana—P.S. I should mention that they really have kinda messed around with a number of elements of this story, at least as far as the stories of Merlin I've heard are concerned... also... Morgana? ♥♥♥ :-D —who, rightfully so, talks to King Uther about her disgust for a celebration over an execution. The king spews venom about her not knowing what it was like twenty years ago and she asks him how long he's going to punish magic-users for what happened back then. To which he replies that he will continue to do so until they learn that there is no place for them in Camelot, he then gets snooty and says that, regardless of whether or not she wants to join the celebration, she will be present when the singer, Lady Helen of Mora, holds her performance. So, now we know about a Lady Mora of Helen... er... Helen Lady of Mo... Lady Helen of Mora, whom we suddenly switch to as she is camping a few leagues from civilization on her way to Camelot.



"Dost I heareth someone sneaking up to death me?"

I should say... Lady Helen, who just happens to look like Eve Myles without the old hag makeup on. Basically, we hear a female voice humming outside Helen's tent. Then after a few moments, Mary Collins jumps into the doorway and... and decides to kill Helen by stabbing a voodoo doll repeatedly.... I mean... seriously! What the kriff did Helen ever do to Mary? I mean, at least she could have sneaked up behind her and bashed her brains in, quick and efficiently. But to stand their wailing on a voodoo doll with a knife, putting Helen in complete torment? Holy cows, woman. So... anyhow, Mary Collins than sits before a mirror and, after speaking an incantation, assumes the form of Lady Helen. However, the spell only works on the nude human eye. Her reflection still shows as Mary Collins. An interesting concept. So it's quite obvious that she intends to infiltrate the celebration in Camelot as Lady Helen so that she can get close to Arthur and... and probably stab him repeatedly in the eyes with a stone. To death.



"AAHHHHHHHHH???"



Returning to Merlin and Gaius, the former is eating when clever old Gaius purposefully knocks a bucket of water off of the table. Merlin's instincts jump into motion and, once again, with eyes flashing gold, the bucket and its contents freeze in mid-air. Gaius looks from the bucket to Merlin in shock. Merlin, seeing the ruse for what it was, releases the bucket and it crashes to the floor. Clever old man, that Gaius. Merlin got dumbed, and he knows it. We learn that Merlin can use these powers without any incantations, which dumbfounds.... dumbfinds?... finds Gaius dumb because he has either never heard of such an ability or at least hasn't heard of one in a long time. Gaius then tells Merlin that he can help him until he finds a job, so he sends the boy off on an errand to give someone medicine. Before leaving, the physician warns Merlin that he must remember never to use magic in public. Because there will be heck.



"What do you think this is? Anyhow?"

 We are then introduced to Arthur, the rich-boy stereo-type who is playing target practice by throwing knifes at a shield. When his page picks the shield up to move it, Arthur decides to play a cruel "joke" on the kid by throwing the knifes at the shield while the page is holding it. Merlin sees this happening and jumps to the page's rescue, telling Arthur (though he doesn't know it is Arthur) to back-off. They get in each other's faces and Merlin claims he could take on the other. Merlin takes a swing and Arthur effortlessly catches his arm and twists it behind him, telling Merlin he could have him put in jail for that, to which Merlin sarcastically asks who he thinks he is, the king? Arthur then, of course, reveals who he is and Merlin is thrown in the dungeons. All the while that this is taking place we keep seeing a young woman looking worriedly out of a window of the castle at Merlin and Arthur.

Meanwhile, "Lady Helen", quote-unquote, wink-wink, ha-ha, nose-nose, arrives at Camelot to greet King Uther. She keeps the facade going, except, of course, throwing in a couple lines here and there that are clearly threats, like when the king says "It's always worth the wait", and she smiles and says quietly "It will be."

We come to the dungeons where we find Merlin asleep on the ground. Suddenly we hear... *gasp*... there's that awesome voice again. Yes, we hear John Hurt again, speaking slowly and softly, "Merlin..... Merlin..." Merlin wakes up, looking around curiously and warily when suddenly Gaius comes to his rescue and releases him from the dungeon. Gaius gives him a lecture about being an "idiot". Then says that he had to pull a few strings... and there is a small price to pay.



"Stop chucking rubbish on my head!"

We cut to Merlin who is locked in stocks and is suffering passers-by throwing vegetables and fruit at his head. Gaius looks on and laughs. Suddenly, the woman whom we see peeping out the castle window comes prancing gayly along the street and runs up... and stabs Merlin repeatedly. With a gun. Seriously.... Mary Collins... lighten up. Ahem... Anyhoo! She comes along... and stabs... okay, for serious now... She comes along and greets Merlin. She is Guinevere, the Lady Morgana's maidservant. She tells him that he was brave for standing up for that whimp page-boy from Scene 24. She then dares make a snooty comment about how Merlin would not have beated Arthur. As if. I mean, how dare she? Pfff, pssh, hah, spss, huff. Get a job, you cretin (or... 'Cretan', as I often spell it. No offense, people of Crete!). Anyhow, we find that Guinevere, or "Gwen", as she likes to be called, has a quirky personality. She tends to be honest about things, but then apologizes, fearing what she said was offensive or taken the wrong way... even though she usually does mean it the way she said it, I've come to find.


"I have come to stab you to death. With a gun."

So, flash forward a couple scenes (because these next couple scenes just play on what we already know), Merlin is tasked with taking a preparation drug of some kind to... "Lady Helen" WINK-WINK. Because she needs it for her voice or something. So Merlin prances off to her bedroom, but she is absent, so he goes and snoops around her things and finds some very odd and questionable items... Things that, honestly, should send up, like, thousands of red flags. Merlin just about gets caught by... "her"wink... but he's able to quickly make it look like he wasn't doing anything and hands her the drug stuff and leaves, never having noticed the mirror behind him that was uncovered enough to she "her" true form... if he had only looked behind him. Merlin walks away down the hall, feeling unsure about this woman.



"Don't be a dumb. Come and play with us, boy-man!"

On Merlin's return trip back home (I mean, his home with Gaius, not his home-home home), he passes Arthur and his gang again. They exchange words again, Merlin, again, is an idiot-jerk and challenges Arthur. The two then fight using... flails... I mean... isn't that kinda, I don't know... lethal!? And yet everyone's all laughing and giggling and stuff. I mean, I guess neither of them actually want to kill each other. But what if it heck happened by accident?? You don't know what could happen! What if, like, the spiked ball—which I actually just recently learned that historically there actually is little or no support to the spiked-ball-and-chain flail that is so popularly used in books and movies... the flail was actually a spiked-rod dangling on a chain—came loose and then slammed into their heads? So, they fight, Merlin gets his rumpadump handed to him again. However, Arthur lets Merlin go because of something he sees in the young man.



Tear....

Merlin gets home where he is lectured by Gaius about his self-control. Merlin gets upset because he wants to use magic and feels like, if he can't use it, than he's a nobody. Gaius tells him that he's right and that he should go commit suicide to ease his pain. Not really. So, skipping ahead, past more discussion between Gaius and Merlin, dinner between Uther and.... "Lady Helen"..., who, once again, gives a number of stealthy threats, we find Merlin sleeping, where he, once again, here's that awesome voice calling to him. So he gets up quietly, sneaks passed sleeping Gaius, sneaks into the dungeons (I guess) of Camelot and finds himself in a vast underground cave.

(Alright, unfortunately either Blogger.com is yelling at me because I have put too many pictures in this blog, or my computer is just being an idiot jerk.... I'd sooner suspect the latter... So, no more pictures from here on, unfortunately).

We are now introduced to The Great Dragon, voiced by—you guessed it—John "The Awesome" Hurt. Visiting the dragon from here on becomes an episode-regular event when Merlin needs advice on things. The Great Dragon appears to be wise and prescient, as he tends to tell Merlin about things that will come to pass in the future. He also appears to be somewhat omniscient as he always seems to know what's going on even though he's chained in this underground cave. In this scene, the dragon confirms Merlin's suspicions that he was given his powers for a reason. And that it is Merlin's destiny to protect Arthur and see that he becomes king. Because only when that happens will Camelot (and frightened magic-users) be free. The Great Dragon itself is pretty well done. I think I'm not quite a fan of his face, particularly his nose/mouth, but even so, pretty well done. One other things I'm not quite sure how I feel about is that, when the dragon talks, his mouth moves basically as it would for a human. I think I was expecting him to speak by telepathic waves or something. But either way, I mean... it's John Hurt. So it's all Win.

The next morning Gaius tells Merlin that Lady Morgana is having trouble with nightmares and wants Merlin to take medicine to her. Merlin enters her chamber, but Morgana does not make direct eye contact with him, so doesn't know who he is. She mistakenly thinks he is Guinevere, and begins talking about how she feels about Arthur. And, of course, because things become awkward as she begins undressing behind a screen (of course... you knew it was coming) and asks him/"her" (no... not that "her") to bring her her dress, Merlin doesn't reveal who he is, but tries to imitate a female voice when answering "uh-huh" to something Morgana asks. He then tries to make a break for the door, but she turns to look at him/"her" just as he raises a cloak up in front of him, like he's looking it over, so she doesn't see that it is him, and the charade continues. Once again he gets to the door... when Morgana asks for help fastening her dress.... Merlin looks absolutely befuddled... but luckily just that moment Gwen walks in confused at his appearance and saves him. Basically all the while Morgana is talking about her disgust over Arthur. Her attitude, like Arthur's, also comes off as a very rich-girl stereo-type.

We cut to a servant girl who brings..... "_______".... some fruit, but, of course she sees her true reflection in the mirror and "she" grabs the servant girl's wrist and hums that weird tune again. The servant girl turns grey and drops to the floor. See, now I'm sure that was painful... but not as painful as being stabbed sixty billion times in the chest! Why couldn't she do that to Lady Helen? For serious.

Next scene we are at the feast where remarks are exchanged between Gaius and Merlin, Merlin and Gwen have an awkward conversation about 'liking' people, then finally... "Lady Helen", giggle-giggle, begins to sing (a very pretty opera-ish-type song) that puts everyone under an enchantment of sleep with webs growing all over them. However, Merlin covers his ears in time and watches in horror as she approaches Arthur's limp form with a knife. Suddenly, his irises flash gold and the chandilier above "her" falls loose and totally pwns her!!! ... ahem... I mean... it crashes on her head and crushes her to the floor. Dead. Everyone begins to wake up, finding themselves covered in webs.... and Mary Collins in her true form lying under the chandilier.... But! Suddenly, she jumps up and throws the knife! Merlin is about to use magic to stop it, but stops himself in time and instead runs and grabs Arthur out of the way (I actually don't think he would've had time to do that, but okay) and the knife stabs through his now vacant chair. Or wait.... maybe he slows time down? See, when I saw that I just assumed he was going to use magic to stop it but then stops himself, because his irises flash but then the flash goes away quickly. But maybe he slowed everything down. Hmmmm... I shall have to consult the Merlin Wiki. NOW Mary Collins dies. For real. Merlin is congratulated and given the award.... of becoming Arthur's manservant.

Back home, Merlin and Gaius speak about magic and how perhaps it's Merlin's purpose to use his magic to save people. Gaius then hands him an ancient spell book, there's a knock at the door where someone says Arthur needs Merlin... and so it begins.

So I realize now that most of my inline comments were either negative or jesting... which makes it seem like this must not have been a very good episode. But, see, in this case I claim the "I'm making fun of it because I love it" defense for my actions. It really is a great episode! Certainly not my favorite, but it was a nice, tense opener to the series.

So what did you think of it? Or have you not watched it yet and I just spoiled everything for you? Oops.... Well, like I said above, future reviews probably won't have the scene-by-scene breakdown, because it actually took me about a month and a half to write this because of all the detail that needed to go into it. But I'm sure there will be some scene breakdowns. But if I want to do these reviews at a steady pace, I'm going to have to make them a bit easier to write.

As of finishing this post I have just begun Season 2 of the series. And I will say now that I am by far a huge fan of the show!

So go watch it! Get with it! And love it! That's an order.

Where do the time go?

I'll tell ya, time is a fleeting thing! The scary thing is, I'm currently unemployed (with several applications submitted... I have to say that so that you don't think I'm being an irresponsible young man, y'know?), so you'd think I have lots of free time. But somehow I never seem to have any. And it's like, as soon as I sit down to do something, I notice the clock says, like, 11:10am. And then all of a sudden, it's like zhoooom! 5:30pm, time for dinner. Then after dinner I sit down to something else and zhooooom! 12:00am. So what the heck? You know? What goes on with time? I myself am personally convinced that it is some kind of terrorist attack. Or plot by the government. Someone is just sucking away our time. With a vaccuum cleaner. Of death.

If you have any extra time, please package it up and mail it to me. And while you're at it, send some Spring weather, too. Because the Cold here is death. Winter has outstayed its welcome. Quite-quite.

Ohp, see? Now suddenly it's 4:30 o' clock.

AAAAAAAAAAAAAHHHHHHHHHHHHHHHHH!!!!